Tsarksoye Selo to the south of St Petersburg is a treasure trove of yet undiscovered Art Nouveau architecture. Here, a bit out of the eye of the St Petersburg experts and activists in architectural conservation, some of the beauties have disappeared without a trace over the years. But luckily some of them are left as is and some are even gradually renovated. In continuation to my last year’s spring-time and autumnal walks in the Art Nouveau realm of Tsarksoye Selo, here we go.
I think spring and autumn with their rusty colours of the nature, with their true warm light (as opposed to the ‘through’ hot light of summer) just bring out the best in Art Nouveau, they are the best seasons for spotting architecture in general – not much leaves on the trees to obstruct the buildings and no (or little) snow to cover the details. We did this walk back in the surprisingly warm early April (after which there was such a setback – raining and all that). Our first stop was at the now State Museum Tsarskoye Selo Collection (apparently – of the 1930s Leningrad art). But it used to be one of those mansions for just one family built right in the center of the city by the architect from the capital (i.e. St Petersburg then) von Goli in 1909.
Regardless of its pink painted walls, this mansion bears the signs of the so called Northern Modern style, the one which evolved in St Petersburg but was inspired by the Finnish Romantic style as well as the Scandinavian spirit in general.
Hence all the fortress-like reminiscence, such as the windows, portals and stone.
But the mansions’ signature details is this tower rather menacingly hanging over passers-by. To my mind they even left the entrance right underneath is in disuse because of that.
Curious ‘lid’ above the balcony:
There is not much known about the previous history of this cute little mansion. I will one day go inside since there’s also a workshop at the ground level. I wonder whether it sunk down quite a bit over the century or was meant to be that low.
The wall on the other side which were in the shadow that morning are less… feminine, more laconic as there are no such doors or balconies, just a wall pierced by the windows.
Our next stop was not actually planned as I used to consider these buildings long gone and didn’t bother to check (I read about them in the book on the Art Nouveau architecture in St Pete). But since they were just some meters away from the pink mansion we bumped into them by chance, so to say.
It was Sunday and Easter Sunday, so people were already gathering outside the church waiting for the priest to sprinkle that holy whatever on their traditional (and not so much) kulich and died eggs and whatnot.
I was drawn by the pseudo-Russian style of the church which was also lit by the warm sun to its advantage. There’s something to its volumes and features that makes you think of the very old Russian churches (which was obviously meant) but there’s also something from the Art Nouveau aesthetics which is so appealing.
This a ‘home’ church meaning that it was built into a building, actually into a charity organization for the Russian Red Cross nurses who lived here and worked in the hospitals of the city, the whole thing being backed by the emperor’s wife herself, Alexandra (i.e. the last Russian emperor Nicholas II’s wife). And it was designed by the emperor’s own architect with a charming Italian name of Silvio Danini. I’ve already investigated into some of his creations scattered all over Tsarskoye Selo but no to this one.
As with the prototype – the first Russian churches – the rounded volumes are clearly the best:
The history of this church during the Soviet era is pretty much similar to those churches which survived and were not taken down (this could happen not just in the 1920-30s but well into the 60s as well – sadly). They were mostly deprived of their distinguishing features (i.e. bell towers, cupolas, of course all the interior etc) and transformed into everything from cinema halls to driving schools to bread baking plants.
This one was used – again – to the benefit of the society, as a part of the sanatorium for the TB kids. All the icons got painted over, regardless of them being designed by the famous Viktor Vasnetsov. The 1912-1914 church then got transformed into a show room in the 1990s and was handed over to the church officials back only in 2006. And the renovation started finally which can only rejoice me. What a unique show room (they say of… doors!):
The rest of the building has not been renovated and looks pretty sad. Though again I loved the volumes:
Right next to the brick church is this big wooden house pretty much in the style of the very first pre-Art Nouveau English-cottage-style creations by the prolific Danini (1896-1897). It is in a poorer state than the adjacent church:
This was originally built as the Nurses’ dormitory and clinic, but later became a Soviet kids’ TB sanatorium (the ‘new’ 1980 Brutalist style facilities are right next door). It is older than the church (1907-08) and is right next to another charity organization (which I failed to see this time) again built by the same Danini some years earlier.
Now it’s some sort of something, no sign there but they say it will be handed over to the adjacent church some time soon.
I hope it will be renovated. This could be a nice Sunday school or something, with its large windows. Although I doubt it will be restored as such. Real estate in Tsarskoye Selo is ridiculously overpriced…
It does look like a wooden dacha (summer cottage). I can imagine drinking tea from samovar sitting on the verandah:
I tried to capture these interplay of shadows that day with my mother’s first LOMO Smena photo camera, loaded with a black and white film. Still have some 10 shots to go before I can develop the film and find out whether it is actually still working (UPD: here are the results). I adore black & white photos, its aesthetics, its graphic lines and atmosphere but still have to master it.
The snow is already gone now but I’d love this early spring period to linger…
Our last stop was actually in the nearby Pavlovsk, yet another royal-park-residence environ which is just a railway station away from Tsarskoye Selo. But this dacha is stuck somewhere in between wooden houses and posh ‘villas’, not where you would normally go to in brief.
This used to be a private dacha of the architect who built among others the Faberge store in St Petersburg, Karl Shmidt. Built in 1902-1903, they say it used to be painted white with green, blue and red details, but I like its current earthy colours as well. Not sure about what’s inside, they say it’s occupied by the Pavlovsk park administration.
For the autumnal part of my Art Nouveau walks see this post. For my last year’s Art Nouveau walk, see this post.
Adding this post to the St Petersburg collection.